Yawning is a natural phenomenon that triggers us to take a deep breath. It’s the body’s actual way of rejuvenating the brain, so that it can function more effectively. By yawning, we are stimulating a neural area of the brain that plays a huge role in keeping you more conscious and self-reflective, this also aids in alertness, relaxation and good memory power.
Everyone likes to sing- be it for fun, formal or religious performances, informal singing or humming in the shower etc. Whatever be the mood, we often face this problem of yawning while singing. And it’s not uncommon to yawn while singing. Singers who are new to singing or those who haven’t undergone professional singing training may find it difficult to overcome yawning while singing.
We usually think that we are too tired or not interested to sing. But the main cause is that singers need lot of oxygen and lung power while singing. This is actually a proper sign of breathing and good throat position while singing. The throat and mouth position while yawning takes care of vocal cords and surrounding tissues.
As a part of proper vocal training, a singer has to open the throat and raise rear palate. This is similar to what happens inside us while yawning. With this, we can overcome overly nasal voice or sound. You can successfully become a better singer as you gain control over yawning.
If you keenly notice, as you yawn, you can feel what exactly is happening to your body while yawning. There are two stages to it:
In the first stage when you inhale or breathe in, your belly moves outwards and your ribcage widens. This is considered to be the excellent point for starting the song!
In the second stage as you breathe out or exhale, your abdominal muscles become active. And as you actually breathe you will feel your belly moving inwards.
This knowledge is very much needed for a singer as the activity of abdominal muscles is primary for singing activity. So imagine that you are yawning before you start singing.
Do remember or note that you should not push your belly outward while singing. During performance and especially as you sing higher notes, relax jaw and throat to initiate the feeling of yawning; this will help you to relax your throat.
Before you sing, breathe deeply for few minutes. Try and inhale for few lesser seconds and hold the breath for a second and exhale for around few seconds. This will help your lungs intake good amount of oxygen and reduce yawning while singing. You can repeat this technique whenever you feel like yawning.
You can also overcome this by not thinking about yawning as its contagious (you feel like yawning when you see other's yawning) and even if you think about yawning you will practically experience yawning at that time and more frequently.
Before you sing long notes or a fast paced song, take more breaths and be relaxed, take note of short breaks or phrases in the song and utilize the time to breathe and exhale the old air which has less oxygen before taking in fresh air filled with oxygen. This will help you prevent yawing.
To pump up sufficient amount of oxygen while breathing, follow breathing exercises. As and when required, you can pause between phrases and exhale old air and inhale oxygen. This will maintain good vocal strength and also avoid yawning.
You can improve your singing voice fast as you make changes in your daily routine by drinking more water, eating healthy, by following few relaxation exercises like meditation, walking, reading a favorite book, playing any musical instrument or watching any good show and enough sleep.
Distortion is the twist or alteration from the original nature of sound, early singers should not worry about singing in distortion. How to sing with distortion is the question for many. To achieve it, you will need a real proper technique, complete ability to apply the concept and learn distortion. Otherwise you will end up losing your singing career.
Different structures inside your body produce different resonance. As you sing, the kind of voice produced depends on the body part your voice is in maximum resonance with. To gain full vocal potential, one needs to develop a strong and clear head voice.
Normally we sing with chest voice. Most of the sound vibrations are felt around the lower neck and chest area. This is the voice most people use during regular speaking. You can also feel the vibrations while speaking by putting your hands at the center of your chest.
If we read the definition, head voice is one of the high registers of the voice in singing and even speaking. This voice is higher than the chest voice. The vibrations are felt in upper half of their face. It means most amount of resonance is happening in the sinuses as compared to any other parts of the body. To sing the real high notes of the song, head voice is necessary.
Mixed voice is the blend of chest and head voice. A singing vocalist can notice most of the vibrations around the lower half of the face, chin, and upper neck. In this scenario, the vocal structure is in maximum resonance. Again, this doesn’t imply that remaining structures aren’t vibrating. Their chest and sinuses also contribute, but to a much lower degree.
We normally sing without chest voice and have a tendency to spend little or no time exercising our head voice. As our head voice uses different vocal co-ordinations, we must use different co-ordinations and exercise to train.
When singers neglect to develop their head voice, they forgo the ability to have a clear and powerful mixed voice. The mixed voice needs something to release into, and if there is no head voice present, singers are forced to thicken up their cords and try to produce more tone with their chest voice.
This inevitably causes the singer to use too much vocal compression or to pull up too much chest voice. Either way, the tone comes out lifeless and unpleasant. Once the head voice is strong and secure, singers can begin the shift and blend the two registers with power and presence.
To overcome breathy and thin voice, one needs to strengthen the head voice. Let us learn what makes you sing better high notes.
Every singer or in fact everyone has a head voice, we just have to discover and practice the right way to use it.
Be patient till you discover what you need, as it might take little more time for some people.
Practice how to sing with distortion to improve voice quality.
“Lip rolls” or “Lip trill”
It is the easiest way to find your head voice. Lip roll will help you develop complete cord closure by sealing the air. Cord closure will help the vocal cords come together; otherwise lot of air you send to produce the sound goes unused by producing airy and weak sound.
This is another way to access your head voice. This brings more energy into your head voice and helps you differentiate head voice and falsetto. To take the heavy vocal weight off the vocal cords and shift the tonal resonance towards the head, practice these exercises - “ooh”, “wee”, “quo”, and “pwee”. Practicing these sounds on arpeggio, octave, double octave and mixed octave scales help you build strength, flexibility and agility for the head voice.
It’s very important to develop the head voice to improve your singing voice quality; otherwise we might forgo the ability to combine the head and chest voice to produce the mixed voice. So singers should not neglect this vital part in their vocal training. It’s relatively simple to find your head voice with proper practice and technique.
Remember that your head voice will be weak or too low to recognize and often misunderstood for falsetto, however as you practice for few weeks, you will be able to differentiate between the head voice and falsetto.
Distortion is the twist or alteration from the original nature of sound or image or object or audio wave. It alters the sound of the harmonic track.
Understand why you wish to change something from its natural way. If you still wish to achieve it, do it step by step, which might take even months. You will need a real proper technique, complete ability to apply the concept and learn distortion. Otherwise you will end up losing your singing career.
Open Throat Voice
If you ever noticed, our throat acts as one musical instrument by releasing different sounds, they have built in technique to produce or optimize resonance.
Similarly we need to train our vocal chords for singing.
The air we breathe in causes the vocal cords to vibrate and gets amplified in the vocal tract.
The singer needs to adjust the throat voice quality.
If you over use the air while singing, you will easily dry out the cords giving chance to inflammation. This can be very painful and can cause infection in your vocal chords, which is very dangerous for a singer.
Unless we take due care of this situation you will end up with hoarseness in your voice, and eventually nodes.
So as mentioned many a times breathe management is very crucial. If you can tackle this you can improve your singing voice in a week
Degrees Of Distortion Or Grit
When air is forced to pass through a constriction or a narrow space the air pressure is released in small rapid puffs so that the air is compressed and released in periodic waves.
Similarly, all vocal sounds come from some degree of compression; the same compression technique applies to all styles of singing. The air will pass through the vocal tract, but we cannot hear any sound if there is no compression.
With different levels of vocal compressions, different shades or textures created in the singing, this brings variety in the singing.
Rock and metal styles vocal techniques need more energy to create the sound; they use hyper glottal compression to produce such high sound.
Compression and air flow work together
A balance between air flow and glottal resistance can be created if we increase the amount of air pressure along with the amount of vocal-fold closure.
Depending on the degree of ‘compression’, the voice will be breathy, thin or weak. If there is too much compression, we get squeezed or tight sound.
Balance between these two elements makes you good at distortion.
You can start practicing to successfully achieve glottal compression after you accomplish open throat, clean tone and air management.
To distort your voice, your voice needs to mature in stage wise. If you wish to distort your voice through fast track process, then it proves to be a severe damage to your vocal cords. You can build sound safely and successfully only after practicing the techniques for more than 6 months. The stages start from basic methods like “smokey” harmonic distortion and thereby, increase to other levels which add further heaviness to the sound.
It is very essential for every singer to maintain proper vocal health. For this, a singer needs to practice vocal exercises by making use of clean tone in order to put back flexibility, liveliness and moisture in the cords.
A long gap or break up in the workouts will lead to stiffness in the cords which in turn results in a helplessness situation where the singer needs to sing only with a distorted voice all the time. In order to maintain good hydration for your cords, you need to drink plenty of filtered water at room temperature and completely avoid alcohol.
Kids who think how can I get better at singing? should not try distortion at this stage as it affects your vocal chords. If you wish to get better in singing, learn yourself first. Try and overcome things which can cause negative impact on your singing. Practice daily, eat healthy, think healthy. Kids who wish to become a singer at age 11 should go for training with good vocal trainers.
All of us have different dreams; we see the movie artist and think what a big deal to act. Everything seems easy and achievable from far, unless we are in the same shoe. However, nothing is impossible for people who have right attitude and who do right practice towards achieving any life goal. Same theory applies in singing. Many people desire to be singers as it gives peace and happiness to one’s body and soul.
Few are born singers and can sing without lessons, but to become famous and renowned singers it takes lot of hard work and practice and also need to learn lessons and tips from experts to be on the right track or achieve set goals in singing.
If you are the one who want to sing better but are in a position that you cannot shed money for these lessons, you can look for online free lessons. You might wonder if you can get expert following those lessons – certainly not, but you can be counted for your efforts. They can help you improve from present position. Advanced techniques can take you to professional level.
When you are determined to achieve your dream, many factors have to be considered. You need to draw a plan for yourself to accomplish it if you want to work on your own.
Practice, Practice, Proper Practice
You need to practice, the more you practice every day, the more better you become. If you neglect to practice, you will lose interest. Make note of the progress, as your practice daily. Try to overcome the mistakes done in the last practice also remember the areas you did well and build it on.
In irregular practice, you always had to start from first as you forget what you did better and what not. Regular practice will also give confidence and determination to achieve in spite of many troubles. Make singing your routine and you will feel comfortable whenever any opportunity knocks you.
Remember that proper practice can only give productive outcome. Practice is much needed for strengthening your vocal cords, breathe and your body. Don’t ever hit the stage without proper practice.
Again you will get more proper guidance on this in professional trainings. But let us deal with few things here. By now you might have identified that breathe control, standing posture, strengthening your vocals, your diet are few most prominent areas of focus for singers.
Breathing exercise is the main foundation while attempting to better the singing skills. This directly depends on your voice quality. The main benefit of this exercise is that as you keep practicing, you will be able to achieve better, longer and bigger contractions and expansions.
Your standing posture helps in good inhalation and exhalation of air and helps you feel relaxed. Strengthening your vocals will help in releasing the tension. This will lighten your voice by pushing the air out and you will not face any problem in using your abdominal muscles and lower chest while singing. Focus on voice quality, tone, high and low notes by humming, practicing on regular time period daily.
Above all take care of the following:
As you are practicing on your own and no one is around to correct or comment you need to record your voice and analyze your singing. If you do not like what you hear practice, correct and do it again till you get the best.
Analyze the voice and decide if it’s sharp, strong or flat and improve as needed. Take any song where your voice is comfortable, sing along and then record your voice while singing identify the weak areas and overcome them in next recording. This technique will improve your singing voice.
As you improve over this you can answer your own question on how to become a good singer.
Important Singing Guides
Out of breathe while singing! No worries. It’s as common as a kid falling while he learns to walk. It’s the easiest thing to control with just little ground work on it. It’s after all about breathing we cannot live without.
If you ask yourself how to become a better singer, first thing people say is to learn to breathe correctly. If we do not breathe properly, we cannot let out the voice or sound. Without emitting the sound, there is no singing. Let’s learn the best breathing exercise to accomplish your dream.
Initially, let us gain some awareness on why we go out of breath while singing and learn on how to adjust the breathing and voice modulations.
Before you start singing, inhale enough air to be able to complete the chosen phrase. If we don’t do that then, we will go out of breath while singing. This is called shallow breathing. To build strong foundation in breath taking, vocal trainers emphasize on this right from the beginning.
Singing with more airy voice can also result in out of breath situation. The voice gets distributed and sounds weak and less solid. Letting out more air while singing results in out of breath and will not allow us to complete a long phrase or sentence. To overcome this situation, we need to balance breath and voice by avoiding overly solid and tight sounds. Otherwise, it can affect badly on your breath control and even damage the vocal cord.
Unconsciously, but sometimes it happens that we forget to breathe regularly while singing. We think to finish the phrase and take a deep breath. Meanwhile we lose control over the breath and fall into breathlessness situation. It’s rather easy to solve, if we make proper breathing points of the song then, we can overcome this situation easily.
Before we jump on to the breathing exercises, first know how to execute good breathing for singing. Diaphragm and other supporting muscles around the diaphragm are involved in breathing. Diaphragm is actually a thin sheet of muscle separating our rib cage from the rest of our organs below our stomach and intestines. This is the main organ that regulates the flow of air in our body, by contracting and relaxing as we breathe in and breathe out. It moves involuntarily as you inhale and exhale, and this causes the diaphragm to contract and relax.
To gain full power and study high quality voice, belly breathing or diaphragmatic breathing will play a major role. While breathing with your belly, your voice rises on the exhaled air creating the best tonal quality. For singers who sing for longer durations, belly breathing technique will be of much advantage.
Practice the below mentioned exercise to get used to belly breathing
This is considered the best breath control exercise for singers as it will gradually build the strength of your abdominal walls and retains your control on belly breathing. You can keep increasing the size of the book or books to increase the strength of your diaphragm muscles and become more comfortable in singing for long hours.
As you work on these exercises, you can improve singing voice quality. This is applicable for any child who wants to become a singer as early as 11 years.